Chris Basmajian / / |
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2011 This 2-sided projection piece combines Theodor Adorno's mid-fifties analysis of popular astrology with a running archive of the Daily Horoscope from Astrology.com. |
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2011 Based on the concept of retrograde, the illusion of a planet looping backward and forward through the night sky. |
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2011 A mirrored box reflects an image of the Space Shuttle Challenger explosion that scrambles and unscrambles in response to the viewer's motion. |
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2011 Based on the NASA Kepler mission, the goal of which is to detect earth-like planets and gauge how common they are on a universal scale. |
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2010 This piece is a simple text-based generative video commenting on the reaction to the Deepwater Horizon Oil Spill in the Gulf of Mexico. |
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2009 This piece is a site-specific video projection created for the 20th anniversary of the Loma Prieta earthquake in Oakland, California. |
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2009 In this piece the viewer moves in front of a video camera and looks down into mirrors on the floor to read a story by Scott Hutchins about a fisherman hunting a nun-eating shark. |
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2009 In this piece, viewers connect with a tale of international kidnapping by Adam Johnson, as they disturb text and image by moving in front of 2 cameras, or on the far side of a rear projection screen. |
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2008 A festive reflective balloon is placed between a video camera and a projection which combines the video with a photograph of the Hindenburg disaster. |
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2008 A hanging light bulb links the viewer to a scene from Godard's Alphaville. |
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2008 This piece uses the proximity of the viewer to create evocative temporal distortions in a famous tracking shot from Hitchcock's Frenzy. |
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2008 This piece captures video of the viewer, then temporally and spatially inverts the video in a cycling display. |
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2008 Wallow in your own wasted time. |
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False Binaries (Black & White) (Series) 2008 The works in this series capture live video of the viewer, and translate each grayscale pixel's binary representation (electronic data) into a black or white representation (visual) to create a binary (1-bit) image. |
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False Binaries (Rhetoric) (Series) 2008 This series uses words from some familiar phrases and expressions to define the borders between moving images of the viewer. |
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Mathemes (Series) 2008 This series uses Lacan's notational symbols to define the borders between moving images of the viewer. |
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Graphemes (Series) 2007 This series uses letters, punctuation marks, mathematical operators and musical symbols to define the borders between moving images of the viewer. |
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Unspooled (Series) 2007 This series temporally reinterprets iconic moments in popular cinema. |
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Looking Back (Series) 2006 This series explores the films of Alfred Hitchcock and the writings of Jacques Lacan and Slavoj Zizek. |
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2006 This piece combines the image of the viewer with the light bulb scene from the end of Hitchcock’s Psycho. |
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2006 Each of these panoramas displays three horizontally oriented views of the viewer’s motion, played forwards, backwards, and in combination. |
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2006 The captured motions of viewers are algorithmically manipulated in various ways and projected onto a large screen. |